Diálogos intersemióticos entre literatura e cinema: análise do conto e filme intitulados A queda da Casa de Usher

Abstract

The work has as focus, to analyze the relation between the literary work and the film titled The fall of the house of Usher, through the study of the phenomenology of Gaston Bachelard and the semiotics proposed by Roman Jakobson. Our intention is to compare the written work of Edgar Allan Poe and the cinematographic work directed by Jean Epstein with regard to possible similarities and differences, not only of plot, but also of literary signs transformed into cinematographic signs. To do so, we also rely on Gaston Bachelard's postulates of space. The research is constructed from the bibliographic method and expands with the exploration of the methodology in view of the phenomenological aspects, starting from the theoretical ideals of CAMPOS (2006) and other authors that compose with the analyzes later discussed.