Uso do território ludovicense pelo ctcuito hip hop: pela ascensão das dinâmicas cultulais nos lugares

Abstract

This research aims to highlight the cultural dynamics raised in úe city of São Luis do Maranhão by the hip ftop culture. Emerging in the United States in the late 1960s, àlp áop culture entered Ludovician territory in the 1980s and today asserts itself as a dialectical manifestation of resistance to the established powers. Using a methodology supported by a bibliographic and documental survey, as well as fieldwork (technical visits, applicatiou of questionnaires and semi-structured interv'iews), the typology/top ology of hip Àop culture is analyzed, adopting the notions of "cultural circuit aurd Scene" proposed by Alves (2005; 2014), instrumental in thc investigation of systems of objects and actions dynamized around a particular cultuÍal manifestation. In these notions, we have inputs of method for the examination of the hip hop circuit sheltered in the Sào Luís region. Based on such assumptions, we initially tried to carry out a periodization of úe hip hop circuit in São Luís. contemporaneity of the Ludovician }rp Àop circuit, we highlight the agents, objects, technical systems, fixed and flows a^ssociated with rap baÍlles, one ofthe circuiís musical moments. Then, we approached the "home studios", the smaller "home" studios. as points of resistance, diffusers of information from the diverse more linked to places, showing úe dcnsiry of fixed and articulations dircctcd to the phonographic production of rap seeking , thus, reÍlect on the artistic and political elements of úis dynamic culture ofplaccs. Thus, we inventoried six possessions (cultural centcrs) of hip hop,weverified the existence of eighteen phonographic studios responsible for the communicational diffusion ofthe cultural circuit, in addition to seventeen rhyming battles acting in different places in the city