Por que deixar que o mundo lhe acorrente os pés? o nomadismo de Raul Seixas

Abstract

Taking part in the creation of Raul Seixas released in the 1970s and 1980s, this study examines a nomadic posture that was proposed as averse to axiomatizing productions of subjectivity. To do so, it is necessary to interpret images and metaphors that seek to unveil stratagems of a dominant production of subjectivity that acts on the beacons of practices and bodies, as well as to identify, in their discursive practices, how Raul Seixas undertakes lines of escape to the identitary frameworks , in addition to examining his position in the face of the possibility of his creation to incur a mere reactivism that could easily be re-territorialized. This effort of analysis will move more closely in the ways opened by the theoretical frameworks of Friedrich Nietzsche and the French thinkers Michel Foucault, Gilles Deleuze and Felix Guattari, as well as of his collaborators and commentators and, in addition to contributing to the downsizing of research on poetry and thinking that is evident in the compositions of Raul Seixas, still allows us to participate in a fruitful way in the enhancement and dilatization of the sphere conquered by the song, within the framework of the studies undertaken by literary criticism.