O drácula de Bram Storker um estudo à luz da perspectiva do gótico literário

Abstract

"Bram Stoker's Dracula" (Francis Ford Coppola, 1992), based on the Gothic novel "Dracula" by Irish author Bram Stoker, is an example of a discussion of the migration from literature to film. To indicate, in addition to the equivalences and disparities between the text and the two art forms, there is insight into the context in which the production was made and its reception by the audience, as well as the applicability of the arrival text as a key factor in creative choices. The film renews the "soul" of gothic representation and the imagination of vampiric beings in cinema. In otherwords: Inter symbolic relations (novel-film) and intertextuality (between films, the "text" of the film). The dubious undead character at first plays hero and monster roles in Coppola's films. As every fictional character is a zero point in the space-time coordinates, this uncertainty is what makes this horror novel parallel to the drama with a romantic bias