Diálogos intersemióticos entre literatura e cinema: análise do conto e filme intitulados A queda da Casa de Usher

Abstract

The main focus of this work is to analyze the relationship between the literary work and the film entitled The Fall of the House of Usher, through the study of Gaston Bachelard's phenomenology and the semiotics proposed by Roman Jakobson. Our intention is to compare the written work of Edgar Allan Poe and the film directed by Jean Epstein, with regard to possible similarities and differences, not only in terms of plot, but also in terms of literary signs transformed into cinematographic signs. To this end, we also base ourselves on Gaston Bachelard's postulations of space. The research is built on the bibliographic method and expands with the exploration of the methodology in view of the phenomenological aspects, starting from the theoretical ideals of CAMPOS (2006) and other authors who agree with the analyses discussed later.