Análise discursiva da representação da mulher nas músicas de funk: empoderamento ou objetificação?

Abstract

This work focuses on analyzing discourses and interdiscourses propagated to the present day, from the discursive analysis of the representativeness of women in funk music. To do so, we start from the hypothesis that such statements insult the female figure, incite domestic violence, strengthen stereotypes, encourage early erotization and advocate sexual abuse by minors and adults, in addition to contributing to the setback of the struggle for equality of women. genders. Within this context, the purpose of this research is to show how the woman is the target of a sexual objectification process in which her body is trivialized, libidinously. Consequently, it was realized that the ideology presented in the funk songs goes against female empowerment. And to theoretically base this analysis, we used as input texts from the following authors: Ana Caroline Campagnolo (2019); Simone de Beauvoir (2019); Eni Orlandi (2009), Adilson Citelli (2004), Ingo Voese (2004), Mikhail Bakhtin (1979), Michel Foucault (2002), José Luiz Fiorin (2005) and (2008), Teun A. Van Dijk (2008) and (2012)