https://repositorio.uema.br/jspui/handle/123456789/2237 Sat, 04 Apr 2026 21:53:56 GMT 2026-04-04T21:53:56Z http://repositorio.uema.br:80/jspui/retrieve/cecf7823-5895-443d-8021-bdac75a00bbd/LETRAS UEMA.png https://repositorio.uema.br/jspui/handle/123456789/2237 https://repositorio.uema.br/jspui/handle/123456789/5798 Título: Por que deixar que o mundo lhe acorrente os pés? o nomadismo de Raul Seixas Abstact: Taking part in the creation of Raul Seixas released in the 1970s and 1980s, this study examines a nomadic posture that was proposed as averse to axiomatizing productions of subjectivity. To do so, it is necessary to interpret images and metaphors that seek to unveil stratagems of a dominant production of subjectivity that acts on the beacons of practices and bodies, as well as to identify, in their discursive practices, how Raul Seixas undertakes lines of escape to the identitary frameworks , in addition to examining his position in the face of the possibility of his creation to incur a mere reactivism that could easily be re-territorialized. This effort of analysis will move more closely in the ways opened by the theoretical frameworks of Friedrich Nietzsche and the French thinkers Michel Foucault, Gilles Deleuze and Felix Guattari, as well as of his collaborators and commentators and, in addition to contributing to the downsizing of research on poetry and thinking that is evident in the compositions of Raul Seixas, still allows us to participate in a fruitful way in the enhancement and dilatization of the sphere conquered by the song, within the framework of the studies undertaken by literary criticism. Tue, 01 Jan 2019 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/5798 2019-01-01T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/5787 Título: Literatura de entretenimento: a atuação de blogueiros e youtubers no ciberespaço e a indústria do livro no Brasil Abstact: In LITERATURE OF ENTERTAINMENT: the performance of bloggers and youtubers in cyberspace and the book industry in Brazil intend to understand this new dynamic assumed by the Brazilian publishing market, as well as the participation of young "digital influencers" in the book market. The present research considers the work of bloggers and youtubers in cyberspace through their social networks and, in parallel with this, the entrance of these internauts into the universe of Entertainment Literature, filling a market niche lacking in publications, that of the adolescent consumer, with the publishing their own books, which contributes significantly to the achievement of the investment in the materiality of digital content. And also the relationship between followers / readers who start to consume more and more everything that is published by their "internet idols", which on the other hand stimulates the practice of reading. The purpose of this investigation is therefore to propose reflections on this new movement of printed textual production by young youtubers and bloggers and, in addition, to delve through the cibercaminhos to understand the transfigurations by which the industry of the printed book is passing in times of society digital. In order to reach the objectives proposed in this research, we decided to make as a methodological resource a bibliographical research (qualitative and quantitative) of printed books published by young digital influencers between January 2012 and December 2018, during which time we verified the publication of one hundred and fifty and nine books. The theoretical contribution of the research is focused on Giorgio Agamben (2009), Zigmunt Bauman (2001), Manuel Castells (2001), Nicholas Carr (2011), Roger Chartier (1999), Tom Chatfield (2012), Pierre Lévy (2010), Perrone-Moisés (2016), Katherine Hayles (2009), Henry Jenkins (2008), among others. Tue, 01 Jan 2019 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/5787 2019-01-01T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/5765 Título: Inovações e repetições das representações femininas em A Intrusa, de Júlia Lopes de Almeida Abstact: The present research approaches on the analysis of the female characters representations in the novel A Intrusa (The Intruder) 1905, written by Julia Lopes de Almeida, it presents a study about the repetitions and innovations of female plots in a society molded by male knowledge. So, it intends to clarify how the novel‘s female characters present stuck behaviors for living in the midst of fatherhood culture and, at the same time, they show up an offending behavior, infringing or resisting to the male domination. Therefore, it is necessary considering the social and historic culture, which determined the context of this novel‘s production, it means, the beginning of the Twentieth century and the studies about critic and female authoring. It is emphasized the relevance in studying Julia Lopes Almeida‘s works, considering she was silenced by the phallocentric critic in the Brazilian literary scenery, in spite of her success in the epoch as a professional writer, helping to the enrichment of Brazilian literature, considering she presents her politic and critical thoughts through of her characters in order to expose the conservative and limited thoughts about the women. The basement of this research were the theoretical contributions of Nicolau Sevcenko (1999), Alfredo Bosi (1994) and Brito Broca (1975), for the Brazilian novels production contextualization at the beginning of the Twentieth century; Simone de Beauvoir (2016), Virginia Woolf (1928), Showalter (2007), for the studies of female and critical authoring, in addition to the studies of Lucia Zolin (2007), Zahidé Muzart (1999) and Constância Lima Duarte (1997), among others. Wed, 01 Jan 2020 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/5765 2020-01-01T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/5724 Título: A verbalização do olhar: a memória e a paisagem em, Litania da Velha Abstact: This dissertation proposes the study of the literary work Litania da Velha (1996), by Arlete Nogueira da Cruz Machado (1936), based on the relationship between poetry, memory and landscape, considering the poem as a verbalized look of its protagonist, evidenced by the poetic narrator. The arletian magnum opus is presented in a narrative poem, whose diegesis has an anonymous beggar character who, in his solitary routine, walks, for the last time, in the historic center of the city of São Luís. The character goes through four discursive sequences - remember, walk, rest and fall - through which this reading is raised, methodologically. For the action of remembering, supported by the thoughts of Paul Ricoeur, Jacques Le Goff, Maurice Halbwachs and Henri Bergson, the nuances of memory and how it manifests itself in the literary text are discussed. In the action of walking, from the perspective of Gaston Bachelard, towards the poetics of space, and Yi-fu Tuan and Eric Dardel, for the relationship with space, we sought to understand how the landscape is constructed and represented in the poem. Taken by the character's poetic act, which stops and rests on a step, we glimpse the notions of place, as a discontinuity of space, and non-place, as a transitory place, respectively, under the ideas of Edward Relph and Mac Augé. As the poem ends, the experience of the character's fall reveals social spaces and places through which the character establishes his identity. In this context, the theoretical debate with the poem, also from the perspective of phenomenology, by Merleu-Ponty, leads us to the perception of memory and landscape in the Arletian lyric Tue, 26 Jan 2021 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/5724 2021-01-26T00:00:00Z