https://repositorio.uema.br/jspui/handle/123456789/2236 Wed, 29 Jul 2026 08:37:38 GMT 2026-07-29T08:37:38Z http://repositorio.uema.br:80/jspui/retrieve/3e9e2b1d-5ce5-438b-baa5-d0502c6d4999/LETRAS UEMA.png https://repositorio.uema.br/jspui/handle/123456789/2236 https://repositorio.uema.br/jspui/handle/123456789/6324 Título: Memória, trauma e repressão política em o Estandarte da Agonia, de Heloneida Studart Abstact: The civil-military dictatorship in Brazil left its mark on society, and the suffering of those who were direct or indirect victims has been recorded in fiction, as in the case of writer Heloneida Studart. In this sense, this work aims to analyze the process of remembrance of the protagonist of Studart's work O Estandarte da agonia (1981), in the context of political repression under the Brazilian military regime. Studart was a writer, journalist, state representative, feminist, and political activist who worked on several fronts, especially on behalf of women and human rights. The narrative in question has Açucena os its protagonist, who recounts her suffering in the search for her missing son amid political conflicts. The narrative also highlights how Açucena deals with the traumatic pain resulting from these events. Thus, in this qualitative research, we aim to analyze the process of remembrance of the protagonist of Heloneida Studart's O Estandarte da agonia (1981), with an emphasis on traumatic memories, in the context of political repression under the military regime in Brazil. The study is based on the theoretical views of Holanda (1980), Malard (2006), Sarlo (2007), and Vieira (2014) on the military dictatorship in Latin America; Foucault (2019) on power relations; Pollack (1992) and Halbwachs (2006) on memory; Seligmann-Silva (2008), Assmann (2011), and Freud (2020) on the relationship between memory and trauma. Heloneida Studart narrative conveys the protagonist's impressions of the sad memory of the military dictatorship, while placing women in the process of overcoming collective wounds by confronting the regime and their own conflicts. Wed, 01 Jan 2025 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/6324 2025-01-01T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/6234 Título: Você só pensa em grana?: poética e crítica social em canções de Zeca Baleiro Abstact: This work aims to analyze the recurrent theme of money in Zeca Baleiro’s lyrics, through theoretical support provided by authors as Baudrillard and Bauman. It’s approached here the question of which are, in general, the social criticisms expressed by the lyrical subject on certain behaviors and common views in the life of contemporary man in his relationship with money. Based on the contribution of stylistic theories, the linguistic and literary resources used by Zeca Baleiro were also analyzed. It was observed that, depending on the lyrical subject of each song, different views regarding financial resources are revealed in the writing of the Brazilian composer: It varies from the clear criticism towards the hyperbolic importance given to money in VocêSó Pensa Em Grana (You Only Think About Money) to the proposal of living in the materialistic style bon vivant. Wed, 19 Jun 2024 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/6234 2024-06-19T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/6219 Título: Memória e literatura: memória ancestral e escravidão em Úrsula, de Maria Firmina dos reis Abstact: The present research aims to explore the relation between ancestral memory as well as history, highlighting the black characters in the literary novel Úrsula (1859), written by Maria Firmina dos Reis. Consequently, we will discuss race and ethnical questions and the conditions of slavery people into the literary work studied. Based on the theorical reference, we will focus on memory and ancestry, as well as the narrative construction through the black characters (Susana and Túlio). In this research composition, we intent to point aspects which evince questions like slavery and ancestry among others questions related with the colonialism and the patriarchy. In addition, the narrative shows in its plot many subjugations which the black characters faced in the slavery during the 19th century. Therefore, the analyses proposed is based on bibliographical, quantitative and descriptive research which the main purpose is to analyze the literary work through the critical and social perspective of the characters chosen. For that matter, this research justifies itself for approaching the black characters memories chosen, evincing how those elements are important in the memory construction related to the social and cultural aspects which from different ways are still current in our society. In order to base this discuss we studied the theorical contributions of: Andrade (2021); Andreta (2013); Duarte (2005); Agenor Gomes (2022); Halbwachs (2003); Reis (1859; 2018); Evaristo (2007-2022); Hall (1996) among others. For this purpose, the results aim that the literary work Úrsula holds a connection between the historical facts in the slavery time, but it expands its historical dignity, embodying itself as a fiction. That way, the literary work brings a reflection in relation to the memory dialogues and the ancestry of the black characters, as long as this ancestral memory struggles a dialogue with the construction of the afro- brazilian and african identities. Mon, 01 Jan 2024 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/6219 2024-01-01T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/6212 Título: O Mirante vê além do dia: cidade e memória em “Os Canhões do Silêncio” de José Chagas Abstact: Memory plays a fundamental role in literature, both as a theme and as a tool for reframing the past. Based on this premise, this study aims to analyze the work “Os Canhões do Silêncio,” by José Chagas, from a memorialistic perspective. To this end, it is important to understand how the relationship between the poetic subject and the landscape and spaces of the city occurs; how memories are formed from historical places and what elements corroborate the construction of the memory of the place. The work in question consists of two hundred pages, whose poetic images dialogue with the history and memory of the city of São Luís do Maranhão. In Os canhões do silence, the poet poses a disturbing question about being and time through the use of the metonymy of the viewpoint and the Desterro neighborhood, whose poetic self reflects on the historical trajectory of the place between splendor and decadence, the self The poem metaphorizes the contradictions of greatness and misery, of virtue and vice, of permanence and perishing that mark the chronological history of human beings in the place. From this perspective, literary analysis is based on the works of: Assmann (2011), Bachelard (2008), Halbwachs (1950), Le Goff (1997), Santos (2018), Izquierdo (2018), among others. The work Os Canhões do Silêncio revealed a complete and very well-developed literary universe that captures attention and provokes varied feelings, while the beauties of São Luís are narrated, there is the presence of sadness and melancholy in the lyrical self. while remembering the city's past. Furthermore, it is noteworthy that the city represents not only the physical home for the body of the lyrical self, but also the place that houses its emotions and holds deep memories that transcend time and space. Mon, 03 Jun 2024 00:00:00 GMT https://repositorio.uema.br/jspui/handle/123456789/6212 2024-06-03T00:00:00Z