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    <title>DSpace Communidade: Centro de Estudos Superiores de Timon (CESTI)</title>
    <link>https://repositorio.uema.br/jspui/handle/123456789/1974</link>
    <description>Centro de Estudos Superiores de Timon (CESTI)</description>
    <pubDate>Fri, 10 Apr 2026 16:38:09 GMT</pubDate>
    <dc:date>2026-04-10T16:38:09Z</dc:date>
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      <title>DSpace Communidade: Centro de Estudos Superiores de Timon (CESTI)</title>
      <url>http://repositorio.uema.br:80/jspui/retrieve/d138e1cd-c4d3-4609-82eb-36e7938da258/large_uema-de-timon.jpg</url>
      <link>https://repositorio.uema.br/jspui/handle/123456789/1974</link>
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    <item>
      <title>Uma análise das formações imaginárias: a noção de sujeito-aluno a partir dos efeitos de sentido materializados no discurso da BNCC (2018)</title>
      <link>https://repositorio.uema.br/jspui/handle/123456789/5489</link>
      <description>Título: Uma análise das formações imaginárias: a noção de sujeito-aluno a partir dos efeitos de sentido materializados no discurso da BNCC (2018)
Abstact: The theoretical underpinning of this research is French discourse analysis. In this&#xD;
way, the theoretical assumptions are based on Althusser (1992), outlining the&#xD;
perspective of ideology in society; Mussalim (2012), in his contributions to the&#xD;
development of the research area; Orlandi (2015) and Pêcheux (1995), with reference&#xD;
to the main guiding aspects of the basis of discourse analysis and Lopes and Macedo&#xD;
(2011), with perceptions of curriculum in the educational sphere. From this point of&#xD;
view, the work analyzes the imaginary formations about the subject-student that&#xD;
permeate the materialized discourse of the National Common Curricular Base-BNCC&#xD;
(2018). Thus, through the analysis of the corpus in the materialization and historicity&#xD;
of the BNCC (2018), the research highlights, in the discourse, the imaginary&#xD;
formations in the constitution of the institutionalized subject-student; as well as&#xD;
discussing how the BNCC presents in its discourse an ideology that falls on the&#xD;
formulation of teaching in Brazil. In addition, the study highlights the perceptions and&#xD;
conditioning factors surrounding the discourses permeated by the curriculum as an&#xD;
&#xD;
ideological apparatus which is aligned with the idealized perspectives of the subject-&#xD;
student. In this way, 6 (six) discursive clippings will be analyzed that materialize the&#xD;
&#xD;
notion of the imaginary about the subject-student according to the theoretical device&#xD;
mentioned, from the reading of the items corresponding to the introduction and&#xD;
chapter 4 (four) which is destined to the curricular parameters of Elementary School&#xD;
present in the BNCC. The results of the analysis show that there is evidence of&#xD;
essentially ideological and imaginary constructions about the student that are rooted&#xD;
and historicized in the discourse of the BNCC.</description>
      <pubDate>Thu, 03 Aug 2023 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.uema.br/jspui/handle/123456789/5489</guid>
      <dc:date>2023-08-03T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Booktok: como uma subcomunidade do tiktok incentiva o hábito da leitura</title>
      <link>https://repositorio.uema.br/jspui/handle/123456789/5485</link>
      <description>Título: Booktok: como uma subcomunidade do tiktok incentiva o hábito da leitura
Abstact: Literary reading practices are changing and taking on new forms on the internet. On&#xD;
social networks and digital platforms, readers can find spaces with content focused on&#xD;
reading and literature, but specifically on TikTok, a community called BookTok, where&#xD;
we can find readers sharing their reading through videos in a variety of formats. In this&#xD;
sense, the guiding question of this work is: how does BookTok encourage readers and&#xD;
non-readers to get to know literary works? The overall aim is to understand how&#xD;
BookTok can encourage literary reading. The methodology applied was bibliographical&#xD;
research, including a bibliographical study on the chosen theme, using books, articles&#xD;
&#xD;
and materials from websites on the subject of the research, and we used a qualitative-&#xD;
quantitative approach. To this end, we worked with theorists such as Chartier (1998),&#xD;
&#xD;
Cosson (2009), Colomer (2007), among others who were pertinent to the theme and&#xD;
proposal of the work. The analysis carried out here, through the posts and publications&#xD;
of the BookTok community, served to confirm that social networks are relevant for&#xD;
introducing reading to new readers, because the new group of readers present in the&#xD;
digital age identifies with the BookTok videos, because the content creators talk to the&#xD;
user and make the reading experience inviting and arouse interest in the habit of&#xD;
reading and literature.</description>
      <pubDate>Thu, 07 Mar 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.uema.br/jspui/handle/123456789/5485</guid>
      <dc:date>2024-03-07T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Memória e cidade : uma leitura da obra O Chamado da Noite (1997), de Carlos Ribeiro</title>
      <link>https://repositorio.uema.br/jspui/handle/123456789/5484</link>
      <description>Título: Memória e cidade : uma leitura da obra O Chamado da Noite (1997), de Carlos Ribeiro
Abstact: Memory can retain information; some things are revived by consciousness, and others are&#xD;
forgotten or not revealed voluntarily or involuntarily. Thus, memory implies a modeling&#xD;
condition that supports the connection between the past and the present, highlighting marks and&#xD;
transformations of the self and contributing to the construction of the individual's image of&#xD;
themselves, others, and the things around them. The present work aimed to analyze the&#xD;
relationship between man and city, given new meaning by the memories and impressions of the&#xD;
narrator in O chamado da noite (1997) by Bahian writer Carlos Ribeiro. The plot refers to old&#xD;
spaces in the city of Salvador – BA, many of which are places of living and experiences of the&#xD;
narrated person. We based the research on the vision of the following theorists: regarding&#xD;
memory, we adopted the thinking of Halbwachs (2006) and Bosi (2003); regarding the study&#xD;
of urban space, the philosophy of Pesavento (2003); about urban landscapes, the vision of Zukin&#xD;
(2018) and Soja (1993). Based on the figure of the flâneur highlighted by Benjamin (1994), the&#xD;
work's narrator turns his vision to reference-marking spaces, also allowing a glimpse of the&#xD;
city's social problems. Faced with the fragmented reality of modern times, rooting is&#xD;
problematic, and references to being in the city are at risk of being dispersed. However,&#xD;
literature contributes to safeguarding the memory of the place. Thus, it is worth asking: how is&#xD;
the relationship between man and city in O Chamado da Noite? Which urban areas in the&#xD;
narrative can be considered spaces of memory? How is the memory of the place consolidated&#xD;
in the work? The narrator of O Chamado da Noite has an attachment to the city streets and other&#xD;
city elements, which makes him see them with the eyes of yesterday and give new meaning to&#xD;
them from his present moment; he seeks to value urban heritage through his impressions and&#xD;
sensations. We noted the rooting/belonging of the protagonist narrator to spaces for recognizing&#xD;
the memory and historical-cultural heritage of the city of Salvador - BA and their importance&#xD;
for collective memory.</description>
      <pubDate>Thu, 04 Apr 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.uema.br/jspui/handle/123456789/5484</guid>
      <dc:date>2024-04-04T00:00:00Z</dc:date>
    </item>
    <item>
      <title>Violência e trauma em Capitâes da areia (1998), de Jorge Amado</title>
      <link>https://repositorio.uema.br/jspui/handle/123456789/5480</link>
      <description>Título: Violência e trauma em Capitâes da areia (1998), de Jorge Amado
Abstact: Violence triggers situations that influence the constitution of the individual. This can be linked&#xD;
to the formation and evocation of memories that influence decision-making, defining factors&#xD;
that boosted the memory of the trauma. For study purposes, the central problem is howthe&#xD;
relationships and meaning effects of trauma affect the process of remembering violence in the&#xD;
character Sem-Pernas in the work Capitães da Areia (1998) by Jorge Amado? The general&#xD;
objective of the work is to understand the processes of formation of the traumatic subject in the&#xD;
central character based on memories evidenced by the narrator; as specific objectives this&#xD;
research analyzes the perspective of memory in the narrative; investigates the relevance of&#xD;
trauma as a constitutive process of the subject/character; and interprets the relationships&#xD;
established between memory and trauma that Sem-Pernas goes through when he commits&#xD;
suicide. Therefore, to carry out the investigation, qualitative and bibliographical research was&#xD;
&#xD;
adopted, substantiated by the proposals of Halbwachs (1990), Izquierdo (2018), Seligmann-&#xD;
Silva (2008), Bosi (2017), Friedman (2002) , among others. Thus, it was discussed the&#xD;
&#xD;
constitution of trauma in the conception of life generated by memories that constitute, since it&#xD;
is not contained in itself, but prevails in attitudes that generate modulations, giving new&#xD;
meaning to the act that the character had suffered, thus making different views and perceptions&#xD;
of a representational act, that is, what was experienced by the character.</description>
      <pubDate>Thu, 25 Jan 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.uema.br/jspui/handle/123456789/5480</guid>
      <dc:date>2024-01-25T00:00:00Z</dc:date>
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