https://repositorio.uema.br/jspui/handle/123456789/2724 2026-04-30T22:12:01Z https://repositorio.uema.br/jspui/handle/123456789/6060 Título: Entre sinais, corpos e silêncios: autoria feminina surda na literatura e nas produções culturais entre os anos de 2020-2025 Abstact: This article analyzes how Deaf women construct and express authorship in the literary and cultural production fields, considering the intersections of deafness, gender, and linguistic inequalities. The study is based on the understanding that Deaf women’s authorship is not limited to writing in the Portuguese language, but also involves Brazilian Sign Language (Libras), the body, and visual experience as central dimensions of meaning-making. A qualitative approach was adopted, based on a bibliographic survey and mapping of scientific articles published between 2020 and 2025, retrieved from the CAPES database and Google Scholar. The analyzed corpus revealed a growing academic interest in Deaf women, especially in the fields of language, education, and health, although the presence of Deaf women as authors in scientific production remains limited. The thematic analysis organized the findings into four categories: communication and linguistic rights; Deaf female identity and visual experience; Deaf women’s authorship as a practice of resistance; and intersections of gender, deafness, and race. The results indicate that Deaf women’s authorship constitutes a practice of identity affirmation and resistance to historical silencing, while also highlighting the need to recognize Libras, corporeality, and visuality as legitimate forms of authorship and knowledge production 2025-12-16T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/6018 Título: A representação feminina na obra " Falência," de Júlia Lopes de Almeida: o preço da aparência, a crise moral e o destino da figura feminina Abstact: The novel A falência (The Bankruptcy), by Júlia Lopes de Almeida (1862-1934), transcends the limits of a narrative about the financial ruin of a merchant to establish itself as a portrait of the social tensions that permeated Brazil at the end of the 19th century. Therefore, this research aims to analyze the representation of women in A falência, by Júlia Lopes de Almeida, focusing on the construction of female characters and highlighting how the author criticizes the social roles imposed on women in the context of the late 19th century. The specific objectives are: (i) to understand the historical and social context in which the work was written, especially in relation to the condition of women in 19th-century Brazil; (ii) to examine the characterization of the main female characters in the work (Camila, Sabina, Madalena, Estela, among others), highlighting their attitudes, conflicts, and degrees of submission or resistance; (iii) to identify elements of social criticism present in the work, especially those related to gender inequality and the impositions of bourgeois morality. As a guiding question for the process of theoretical deepening and analysis of the work, the following question was raised: how is the female character represented in the work A falência, by Júlia Lopes de Almeida, considering the end of the 19th century in Brazil as a temporal framework? Regarding the methodology and methodological approach, the study presents a qualitative and applied approach, given that the procedures are bibliographic. From a theoretical point of view, this research is anchored in the studies of Hanciau (2022), Alves (2019) and Duarte (2003) on feminist suffrage; in the considerations of França (2025) and Karawejczyk (2013) on women in 19th-century literature and the Republican Women's Party respectively; in Zahidé Muzart (2014) regarding the emblematic novel by Júlia Lopes de Almeida; and in the considerations of Cruz (2019) concerning gender relations. and the investigations of Denise Lobato (2016) based on the moralizing theme and the liberating word in the prose of the Rio de Janeiro writer. In short, this study aims to contribute to strengthening academic debates on gender and literature by proposing a reading that articulates literary analysis and social criticism 2025-12-23T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/6016 Título: Mulheres em narrativa: um olhar sobre as personagens femininas de A Viuvinha de José de Alencar e Dom Casmurro de Machado de Assis Abstact: The female characters in "A Viuvinha" by José de Alencar and in "Dom Casmurro" by Machado de Assis show how the representation of women in 19th-century Brazilian literature changed over time. In Romanticism, women were portrayed in an idealized and often submissive way. In the realist phase of Machado de Assis, they began to have more complex and questioning profiles. The main objective of this research is to analyze how women are represented in the works of these two authors, and how, in creating these characters, they also criticize the role that Brazilian society reserved for women. The research was conducted through a bibliographic review, with a qualitative approach, supported by the studies of authors such as Louro (2004), Santiago and colleagues (2010), Schwarz (2000), Stein (1984), and others. From this study, it is possible to perceive that female characters began to have a more prominent role in the narratives of this period, especially in the works of José de Alencar and Machado de Assis. These authors created striking female figures within a patriarchal context. In short, Carolina represents the idealized and passive woman of Romanticism, whose virtue is her main quality. Capitu, on the other hand, is a more complex character of Realism, whose intelligence and behavior challenge the social and narrative expectations of the time, leaving a legacy of questioning the female condition and the role of men in Brazilian literature 2025-01-11T00:00:00Z https://repositorio.uema.br/jspui/handle/123456789/6014 Título: Do palco às telas: o auto da compadecida e os processos de adaptação Abstact: Ariano Suassuna's (1927-2014) play, *O Auto da Compadecida*, is frequently reviewed and analyzed in educational institutions and theater groups, who investigate its narrative and thematic particularities. Ariano Suassuna's work premiered in Recife in 1956. This play, which blends elements of medieval religious theater with Northeastern humor, allows for a comparison between the language of theater and that of cinema, highlighting the use of specific settings (theater) and the ability to explore varied environments (cinema). The focus of this analysis will be the film *O Auto da Compadecida*, by Ariano Suassuna. This analysis will significantly address some points related to discourse, considering that both the play and its adaptations for film and television discuss the creation of images from words. For this, the theories of Linda Hutcheon (2011) and Ismail Xavier (2003) will be fundamental to understanding the process of adaptation and transcoding. In this way, "Auto da Compadecida" transcends regional and temporal boundaries, establishing itself as an essential reference for those seeking to understand Brazilian popular literature, theater, and cinema in their various expressions and interpretations. Whether in school settings, on stage, or on television, the work continues to resonate in the country's collective memory 2026-01-09T00:00:00Z