A poesia marginal como sinal de resistência na década de 70

Abstract

This work proposes the discussion of marginal poetry as a sign of resistance and social criticism in Brazil, in the 1970s in the face of the dictatorial period, marginal literature begins with Tropicalism, Counterculture and Desbunde: both following the bias of alternative life, leaving aside the conservative system that governed morals and social ethics, sought to guide their way of life in drugs, drinks, sex, slang and the free life model. Colloquial writing, irony, intertextuality, metaphorical language, are characteristics that guide the scope of production and writing of marginal poets, so they are considered marginal because they live on the margins of the publishing system of the 70s, on the constant surveillance of the military government and the censorship present in the midst of artistic productions, we see that poets reinvent themselves through their literature producing them through the mimeograph and distributing them in squares, bars, cinemas and in the most diverse social places. In this perspective, we will make use of bibliographical research and guide our work on the thoughts of: Samira Youssef Campedelli(1985), Glauco Mattoso(1981) and Heloisa Buarque Holanda(1976), with the Anthology 26 Poets Today among other theorists. In this way, we will see how writing becomes a sign of freedom for the poets of the mimeograph generation and how their poetry reached the high levels of society through the production of pamphlets, being one of the most significant movements of literature with regard to circulation in social environments